If your copy of one of my patterns has a link listed on it, check the table below if the pattern name is in bold than scroll below for the information for that pattern. Search by pattern # and the last section of the link. If not, please e-mail me at lynn@nulloutofaportrait.com and I will update things and transfer the links or articles.
| 01 Men’s Eliz.high crowned hat | 02 Men’s Eliz. arched brim hat | 03 Women’s Eliz. Attifet | 04 Eliz. French Hood | 05 Women’s Eliz. Italian Bonnet |
| 06 Eliz. Brimless Hat | 07 Women‘s Eliz. arched brim Hat | 08 Women’s Eliz.high crowned hat | 09 L. Tudor-E. Eliz. French Hood | 10 Men’s Eliz. Italian Bonnet |
| 11 Men’s & Women’s Medieval Hat | 12 Men’s and Women’s Tudor & Eliz. Flat Caps | 13 Single Seam Coif | 14 Arming Hood & Double Seam Cap | 15 Women’s Biggins |
| 16 Eliz. Blackwork Caul | 17 Eliz. Gold Mesh Caul | 18 Universal Oval Brimmed Hat | 19 Universal Round Brimmed Hat | 20 Riding, Top or Stovepipe Hat |
| 21 Men’s and Women’s German Hat | 22 Silk Partlet Pattern | 23 Spiral Sleeve Pattern | 24 Henry VII Hat | 25 26inch Doll Body Pattern |
| 30 Cloth of Gold Escoffion | 31 double X knot gold Caul, caps and Reta Pattern | 32 Early Victorian Bonnet | 33 Men’s or Women’s Georgian Tall Hat | 34 Wellington, Mad Hatter, Muller Cut Down Top Hat |
| 35 Mid-Victorian Winter Bonnet | 36 Highlander Clothes for 25″ Fashion Doll | 37 Early 19C Seaside Bonnet | 38 Regency Bonnet | 39 Romantic Bonnet |
| 40 1840-50’s Period Bonnet | 41 US Civil War Bonnet | 42 US Civil War Summer Hat | 43 Late Victorian Tall Hat 1875-85 | 44 Late Victorian Small Bonnet 1885-95 |
| 45 Early 1870’s Bustle Hat | 46 18th C Men’s Waistcoat | 47 LaBelle Epoque 1895-1905 | 48 Natural form Era Bonnet | 49 L. Edwardian E. Teens small hat |
| 50 19th Century Cape | 51 1920s Collapsible Hat | 52 Late Teens Early 20’s Hat | 53 Modern Soft Hat | 54 Hard Crown Regency Bonnet |
| 55 Napoleonic Era Hat | 56 Victorian Brimless | 57 1845-50 Drawn Bonnet Link | 58 1855-60 Drawn Bonnet Link | 59 Lace Cloche Instructions |
| 60 Fan pattern with 3 sizes | 61 Lace Brim Hat | 62 Early 20th C turbans …Turban last …Cloche block …Head …wrapping | 63 Victorian bonnet ca. 1870-90 | 64 18th C Day Caps |
| 65 L.18thC E. 19thC Day Caps |
________________.buckram.html The information here applies to all of the buckram hats.
#01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 18, 19, 20, 32, 33, 34, 35, 37, 38, 39, 40, 41, 42, 43, 45, 47, 48, 49, 52, 54, 55, 56, 61, 63.
Truths about Fabric Covered Buckram Hats
Buckram is a fabric that is made stiff with water-soluble glue, I recommend double layer (theatrical buckram). It has been in use for hundreds of years. In most cases millinery wire is sewn to the edges of buckram pieces to add extra stiffness and to be able to shape the final hat. The substructure of buckram and wire once completed is rigid. Covering rigid hat forms with fabric in many ways is more like upholstery than sewing. You will have a solid structure that you will have to cover smoothly with fabric that can stretch usually in one direction (along the bias) and not in another (along the straight of grain). You will use your sewing skills for sure but it’s not quite the same. It starts with the pattern.
Millinery patterns do not always have seam allowances there are three reasons for this. First, often the pattern has multiple size options in one pattern piece, if you added the lines for cutting and sewing for all the sizes after a while it would be difficult to know just where to cut. The second is that you may need to alter the head opening on your pattern and this would change the seam allowance. Third because I can’t always know just how thick your wire might be or just how thick your flannel interfacing (mull) might be or just how much stretch your fabric might have, a seam line can only be approximate. The very best way to achieve a great looking final product is to use your wired and mulled brim to determine your sewing line. Lay your mulled, wired buckram brim over the wrong side of one of the fabric brim pieces, trace the outside with chalk very close to the edge. This chalk line will be your sewing line no matter much seam allowance there is.
The more complicated the hat the more often you will find yourself in situations that are awkward. Sometime a curved sewing needle will come in handy. This is the reason that I have written the instructions so that, if you are making a hat with a brim, the brim is worked separately from the crown until the very end. If you look in some books on making hats they will tell you to put the buckram brim and crown together and then add the mull and then the fabric. This construction technique solves many of the awkward and difficult construction steps.
Sometimes you will be sewing through many layers of fabric and buckram if you don’t have normal hand strength you will either have to use pliers and or do most of the construction on the sewing machine. You need to have a machine that can handle heavy weight fabrics and has a zig-zag stitch.
I don’t want to scare you off making a hat; it can be one of the most rewarding endeavors in costuming. A good hat is the crowning glory to any period costume. I do suggest that you do two things, one give yourself the time, don’t leave the hat until the end and think that you will be able to knock it off in just a few hours. Second start with one of the simpler hats if you have never made a buckram hat before. The simpler hats are two part hats ones that have a crown tip and sides and maybe not a brim then move on to three part hats.
And Oh, do contact me if you have any questions, Lynn McMasters
___________________straw.html This information applies to any pattern where you might be sewing straw plait over buckram.
34, 37, 38, 39, 40, 41, 42, 44, 45, 48, 55, 56, 63
_____________blocking.html This is just for this pattern the Natural Form bonnet.
#48